The Federal Government Commissioner for Culture and the Media (BKM) is once again awarding the Federal Theatre Prize in 2024 - to strengthen and promote the diverse theatre landscape in the Federal Republic of Germany. The prize honours medium-sized and smaller theatre structures, especially those outside the major theatre cities, and their remarkable work across Germany in recent years.
The theatre prize is awarded for an outstanding programme that is characterised by convincing aesthetic and artistic development in contemporary issues of (urban) society, multi-perspective audiences, ecological and social awareness and/or technological and digital innovations. The specific structural, financial and, where applicable, socio-spatial situation is also taken into account when awarding the prize. The Federal Theatre Prize is endowed with prize money totalling 500,000 euros. A main prize is awarded as well as one award each in the categories of municipal and regional theatres, private theatres and guest theatres as well as independent production houses. The award ceremony will take place on 2 October 2024 at the Haus der Berliner Festspiele.
Die Schwankhalle Bremen wurde von der Jury mit dem 200.000 Euro dotierten Hauptpreis ausgezeichnet. Drei mit jeweils 100.000 Euro dotierte Auszeichnungen erhalten das Hessische Landestheater Marbug (HLTM) in der Kategorie Stadttheater und Landesbühnen, das Ernst-Barlach-Theater Güstrow in der Kategorie Privattheater und Gastspielhäuser sowie das FELD Theater für junges Publikum Berlin in der Kategorie Freie Produktionshäuser. Die Preisverleihung findet am Abend des 02. Oktober 2024 im Haus der Berliner Festspiele statt.
"The Schwankhalle in Bremen's Neustadt district is one of the central production centres in Germany. Its programme includes the entire diversity of the performing arts with current positions from performance, theatre, dance and music theatre on a national and international level. At the same time, the Schwankhalle is a key booster of the independent scene in Bremen, offering local artists residencies, co-productions, performance and networking opportunities as well as cultural policy strategy advice and combining political theatre with the art of warm hospitality. The team led by artistic directors anna K. Becker and Katrin Hylla has remarkably developed the Schwankhalle's previous work by expanding its local roots through new artistic formats and creating spaces for play and thought for diverse perspectives." – Jury statement
"The Hessisches Landestheater Marburg (HLTM) is setting standards for other theatres across Germany with the ‘Marburg Model’, the first equal (female) dual leadership at a publicly funded theatre. Through an artistic management constellation that consciously engages with discourses critical of power, it promotes a modern and responsible working environment: the artistic directors Eva Lange and Carola Unser-Leichtweiß practice a leadership style that is both exemplary and pioneering, manifesting itself in equal pay, democratic decision-making processes and family-friendly working hours with the long-term goal of establishing a ‘care-centred theatre business’. However, the HLTM not only impresses in terms of its operational structure by trying out new approaches; since its launch, the team has succeeded in mastering all the requirements and challenges of a regional theatre with limited resources and despite the difficult spatial situation, presenting ambitious, contemporary spoken theatre, initiating diversification and opening processes on an artistic level and taking into account the preferences of a wide variety of audiences in the process." – Jury statement
"The FELD theatre for young audiences in Berlin-Schöneberg is an innovative, inclusive and intergenerational production venue for artistic encounters and developments that impresses through artistic and structural change in action. Since its opening in December 2018, the FELD has become an outstanding venue for young audiences that is rapidly developing and evolving, proving that even a small theatre with a small team can achieve great things. The exploratory and participatory way of working, which includes close cooperation with daycare centres, schools and social actors, promotes political thinking and self-empowerment for young people as well as age-open approaches. In in-house productions and co-productions with a wide range of aesthetics, renowned artists and groups from the independent theatre scene, many of whom are staging productions for young audiences for the first time, deal intensively with topics relevant to everyday life such as the environment, climate, sustainability and the future. The theatre opens up to its neighbours in the neighbourhood and is also internationally networked through its collaborations. The jury would particularly like to highlight the theatre's focus on inclusion and the deaf* community, both of which are very consistently anchored both in terms of personnel and programming, such as through bilingual productions with integrated German sign language." – Jury statement
"The Ernst Barlach Theatre has been in Güstrow for 200 years and is the oldest surviving community theatre in Mecklenburg-Vorpommern. Today it acts as a guest theatre in a structurally weak region with political challenges through its own alternative cultural offerings and impresses with the balance in its programme between tradition and contemporary orientation. With a remarkable range of classical drama productions (in High and Low German), children's and youth theatre, ballet, cabaret and symphony concerts, the theatre attracts a large number of visitors from all social groups. The jury was particularly impressed by the newly initiated opening of the programme to performative approaches and to the independent scene through cooperation projects in the field of contemporary circus and dance. With extensive participatory encounter and educational offers, such as artist talks to convey different working methods and directorial styles, rehearsal visits, theatre tours, workshops for children and young people and further training for teachers, the theatre creates an exemplary anchoring of the theatre in the entire city and region." – Jury statement
The overall jury will decide on the award of the main prize across all categories. For the individual prizes in the categories, the jury is composed as follows:
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A symposium entitled "Pleasures & Politics of Autonomy - Theater between Resistance and Responsibility" will take place on 02.10.2024 at the Haus der Berliner Festspiele. Further information and Save The Date registration here.
The Federal Theatre Prize is awarded by the Federal Government Commissioner for Culture and the Media. The project sponsor is the Fonds Darstellende Künste in cooperation with the Zentrum Bundesrepublik Deutschland des Internationalen Theaterinstituts e.V. (ITI).
Monika Grütters, State Minister for Culture from 2013 to 2021, awarded the Federal Theatre Prize for the first time in 2015, since then it has been realised every two years in cooperation with the ITI – German Centre. A total of 42 theatres were honoured in 2015, 2017, 2019 and 2021. Artistic and cultural-political issues that especially concern the work of municipal, state and touring theatres, as well as independent venues in smaller and medium-sized cities, are discussed as part of a symposium held to accompany the award ceremony.
In 2020, in cooperation with Theater der Zeit, a publication was released that pays tribute to the work of the previous award-winning theatres, while at the same time highlighting the challenges they face on a daily basis.
In the spring and summer of 2022, the traveling exhibition "Dialogue and Confrontation, Transformation and Strengthening - theatre work beyond the metropolitan cities" toured in nine of the eleven award-winning theatres from 2021. Further information can be found here.